USB stick (credit card size) - USB stick (2 GB) in hand-made (by the artist) papercard cover

from Hildur Guðnadóttir

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Multichannel files

Three multi-channel surround versions of Hildur Guonadottir's Leyfdu Ljosinu and Prelude are available for different types of audio playback equipment. These are intended for playback either by a computer with a multi channel soundcard, or by full range or bass managed surround sound playback systems.

The files are:

A] Prelude_4_LRLsRs.aif
Leyfdu_Ljos_4_LRLsRs.aif

- a 4 channel version for full range loudspeaker systems, or for bass managed 4.1 configurations where the LFE (sub) channel is generated by the playback equipment.
Channel order: Left, Right, Left Surround, Right Surround.

B] Prelude_5_1_LRC_LsRs.aif
Leyfdu_Ljosinu_5_1_LRC_LsRs.aif

- a 5.1 version for bass managed playback systems, where the LFE (sub) channel is generated by the playback equipment. Channel order: Left, Right, Centre, LFE (blank), Left Surround, Right Surround.

c] Prelude_5_1_LRCLfeLsRs.aif
Leyfdu_Ljosinu_5_1_LRCLfeLsRs.aif

- a 5.1 version with a discrete LFE (sub) channel for 5.1 playback on full range reproduction equipment. Channel order: Left, Right, Centre, LFE, Left Surround, Right Surround. The LFE channel is at the same level as all other channels. Reproduction equipment should not be set with the +10dB gain option used by cinema reproduction systems.


Voice, cello & electronics: Hildur Gudnadottir

Recorded & mixed by Tony Myatt
Mastered by Denis Blackham

Track Listing:

1. Prelude 4:11
2. Leyfdu ljosinu 35:14

Hildur Gudnadottir's new album 'Leyfdu Ljosinu' (Icelandic for 'Allow the Light'), was recorded live at the Music Research Centre, University of York, in January 2012 by Tony Myatt, using a SoundField ST450 Ambisonic microphone and two Neumann U87 microphones. (NB - It was not played in a concert environment and there was no audience.)

To be faithful to time and space - elements vital to the movement of sound - this album was recorded entirely live, with no post-tampering of the recordings' own sense of occasion.

About Hildur Gudnadottir:

Hildur Ingveldardóttir Guðnadóttir (b. 1982) is a cellist and composer. Best known for her collaborations with múm and guest appearances with Pan Sonic, she has a rich catalogue of collaborations and varied projects behind her.

Guðnadóttir began playing cello as a child, entered the Reykjavík Music Academy and then moved on to musical studies/composition and new media at the Iceland Academy of the Arts and Universitat der Kunste in Berlin. Back in Iceland, she became very active in the neu-Iceland scene as a member of Kitchen Motors, a Reykjavík based think tank, record label and an art collective along with internationally renowned composer Jóhann Jóhannsson.

In 2004, she started playing with the band Angel (Ilpo Väisänen and Dirk Dresslehaus). Around that time she made an album with Dirk (Mr. Schmuck´s farm), and went on to play live Pan Sonic, later collaborating on their album Cathodephase.

She released her first solo album, Mount A, under the artist name Lost in the Hildurness, on the Reykjavík based label 12 Tónar in 2006. The album was recorded in New York City, and at ‘Hólar in Hjaltadalur’, a historic spot in Iceland with a house named Audunarstofa. The old house is constructed from Norwegian wood and was chosen for its excellent cello acoustics. Guðnadóttir played all the instruments on the album – vibraphone, viola da gamba, harp and vocals.

Guðnadóttir is a member of Storsveit Nix Noltes (The Nix Noltes Big Band), a rotating cast of 7 to 10 Icelanders playing traditional Bulgarian and Greek dance music. The group has toured the US twice supporting Animal Collective.

She has also played frequently with field recording artist and performer BJ Nilsen; delicate duets that conjure somber rapture of multi tracked cello - Guðnadóttir’s live playing augmented by laptop loops. Guðnadóttir has collaborated, played and recorded with other artists such as Skúli Sverrisson, Hilmar Jensson, Hafler Trio, Jóhann Jóhannsson, Nico Muhly, Valgeir Sigurdsson, Angel, Schneider™, Ben Frost and Stilluppsteypa.

As a composer she has written music for plays, dance performances and films, pieces for chamber orchestras, various instruments, voices and electronics. Guðnadóttir likes to explore the nature and movement of sound, and often turns her experiments into sound and visual installations. She recently co-composed a live soundtrack to Derek Jarman's 1980 film In The Shadow of The Sun with legends Throbbing Gristle, arranged choir for performances by them in Austria and London.

Includes unlimited streaming of Leyfðu Ljósinu via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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about

Hildur Guðnadóttir Berlin, Germany

Hildur Guðnadóttir (1982) is an Icelandic cello player and singer who has been manifesting herself at the forefront of experimental pop and contemporary music (e.g. with the band múm). In her solo work she draws out a broad spectrum of sounds from her instrument, ranging from intimate simplicity to huge soundscapes. ... more

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